Шакко (shakko.ru) wrote,
Шакко
shakko.ru

Кельнский аукционный дом снял с продажи русский авангард

Речь идет о девяти предположительно поддельных работах Любови Поповой, Эль Лисицкого, Аристарха Лентулова, Ильи Чашника, побывавших в коллекции Курта Бенедикта, влиятельного берлинского арт-дилера перед Второй мировой войной.

Репродукции в статье по ссылке не приведены, кладу их вот сюда под кат.


(с сайта аукционного дома информация удалена, смогла вытащить с зеркала)

Лот 8





Ljubow Popova
Ca. 1920POPOVA, LJUBOW1889 Iwanowskoje - 1924 MoscowTitle: Suprematistische Komposition. Date: Ca. 1920. Technique: Paper collage on storng card (board?). Measurement: 38.5 x 29.5cm. Frame/Pedestal: Craftman's frame. There is a photo confirmation of the collage by Jean-Claude Mardadé (Research Director of the National Centre for Scientific Research, Paris) dated 26 October 1988. Provenance:- Collection Kurt Benedict, Berlin- Galerie Stolz, Cologne- Collection Hilmar Kopper, RothenbachExhibition:- Aargauer Kunsthaus, Aarau 1993 (label).



Лот 10





Vasyl Yermylov
Ca. 1921-1923YERMYLOV, VASYL1894 Kharkiv/Ukraine - 1968 KharkivTitle: Relief. Date: Ca. 1921-1923. Technique: Assemblage (wood, metal, horn) over oil on wooden panel. Measurement: 40 x 29cm. Notation: Collection stamp verso: Kurt Benedict. Frame/Pedestal: Acrylic glass box frame (58 x 47,5 x 10cm). Not examined out of the frame. The assemblage has one confirmation each from Jean Claude Marcadé (Director of Research at the National Centre for Scientific Research, Paris), dated 22 February 1991, and one from Yevgeny Kovrun (Senior Curator at the State Russian Museum, St. Petersburg), Munich, dated 17 June 1991. These are supplemented by two confirmations in copy from Dimitri Gorbarchow (former Chief Curator of the State Ukrainian Museum, Kiev), Munich, dated 11 April 1992 and 7 May 1993. Provenance: - Kurt Benedict Collection - Gallery Stolz, Cologne - Hilmar Kopper Collection, Rothenbach. Размер: 29 × 40 см


Лот 13





El Lissitzky
Ca. 1928LISSITZKY, EL1890 Potschinok/Smolensk - 1941 MoscowTitle: Architektonische Skizze mit violettem Quader. Date: Ca. 1928. Technique: India ink and watercolour on paper. Measurement: 27.5 x 19cm. Notation: Monogrammed lower left: EL (lig.) L. Frame/Pedestal: Framed. There is a photographic expert's report on this drawing by Jen Lissitzky, son of the artist, dated 28.10.1980.Provenance:- Antiquariat Dörling, Hamburg 1987, auction 126, lot 7784- Hilmar Kopper Collection, Rothenbach. Размер: 19 × 27.май см


Лот 16



Aristarch Lentulov
1913LENTULOV, ARISTARCH1882 Niznee Lomovo/Pensa - 1943 MoscowTitle: Kislowodsk. Date: 1913. Technique: Oil on canvas. Measurement: 48.5 x 60.5cm. Frame/Pedestal: Craftman's frame. Verso of the canvas is a written confirmation of authenticity by Dmitri Sarabianov dated 22.11.1994, as well as a written confirmation by the collector W.A. Dudakov, Moscow, dated 11.11.1994.Provenance:- Marina Lentulov (artist's daughter)- Collection W.A. Dudakov (acquired 1992 from the afromentioned)- Christie's London, auction 7507, 13.6.2007, lot 100- Collection Dr. Gerhard CrommeExhibitions: - Fondation Maeght, Saint-Paul de Vence 2011 - The National Museum of China (NAMOC), Beijing 2012 - Pablo Picasso Art Museum, Münster 2013 - Forte di Bard, Aosta/Italy 2015 Literature: - Exh. cat. L'Abstraction en Europe - Le choix d'un collectionneur allemand, Fondation Maeght, Saint-Paul de Vence 2011, cat. no. 14, p. 51, ill.- Exhibition cat. From Constructivism in Europe - From Malevich to Kandinsky, National Art Museum of China (NAMOC), Beijing 2012, cat. no. 19, p. 41, ill.- Müller, Markus: The Revolution Releases Its Pictures - From Malevich to Kandinsky, Cologne 2014, cat. no. 36, p. 63, ill.- Exhibit cat. Astrattismo in Europe, Kandinsky, Popova, Mayakovsky, Malevic..., Forte di Bard, Aosta/Italy 2015, m. pag., ill.- Lentulov is regarded as a pioneer of Russian abstraction- Founding member of the pioneering artist group "Jack of Diamonds", considered an essential part of the Russian avant-garde of the 1910s and 1920s- Colour-intensive and high-contrast composition from an important creative phase of the Russian avant-garde artist. Размер: 60.5 × 48.5 см


Лот 17



Ljubow Popova1916/17POPOVA, LJUBOW1889 Iwanowskoje - 1924 MoscowTitle: Raumdynamische Konstruktion. Date: 1916/17. Technique: Tempera and gouache on Vellum mounted in wooden frame. Measurement: 44.5 x 29cm. Frame/Pedestal: Display frame. There is a certificate of authenticity for this work from Miroslav Lamac and Jiri Patrata dated 3.10.1971.Provenance:- Galerie Gmyrzynska-Bar Gera, Cologne (label)- Auktionshaus Lempertz, auction 962, 2.6.2010, lot 569- Collection Dr. Gerhard CrommeExhibitions:- Städtisches Museum Mönchengladbach, 1972 (cat. rais. no. 158; label)- The National Museum of China (NAMOC), Peking 2012- Kunstmuseum Pablo Picasso, Münster 2013Literature:- Exhib. cat. Rationale Spekulationen. Konstruktivistische Tendenzen zwischen 1915 und 1930, ausgewählt aus deutschen Privatsammlungen, Städtisches Museum Mönchengladbach, 1972, exhib. cat. 158, without ill.- Exhib. cat. Constructivism in Europa - From Malevich to Kandinsky, National Art Museum of China (NAMOC), Peking 2012, cat. rais. no. 2, p. 9, ill.- Müller, Markus: Die Revolution entlässt ihre Bilder - Von Malewitsch bis Kandinsky, Cologne 2014, cat. rais. no. 56, p. 87, ill.- Popova is one of the most important artists of the Russian avant-garde - Works from an important phase of creative development - Tense composition with strong, spatial dynamics. Размер: 29 × 44.5 см

Лот 18




Ljubow Popova
1920/21POPOVA, LJUBOW1889 Iwanowskoje - 1924 MoscowTitle: Raum-Kraft-Konstruktion. Date: 1920/21. Technique: Watercolour and India ink on laid paper, mouted on thin card. Measurement: 40 x 29.5cm. Notation: Collection stamp verso: Kurt BenedictFrame/Pedestal: Framed. A photography expertise by Jean-Claude Marcadé dated 12 June 1986 is available for the work.Provenance: - Sammlung Kurt Benedict, Berlin- Finartis Kunsthandels AG, Meggen/Schweiz (label)- Galerie Stolz, Cologne (label)- Collection Dr. Gerhard Cromme Exhibitions: - Kunstmuseum Winterthur, 2001 - Kunstmuseum Bonn/Staatliches Museum Schwerin, 2006 - Fondation Maeght, Saint-Paul de Vence 2011 - The National Museum of China (NAMOC), Peking 2012 - Kunstmuseum Pablo Picasso, Münster 2013 - Forte di Bard, Aosta/Italien 2015 Literature: - Exhib. cat. Verschmelzendes Rosa und Schwarze Spannung - Werke des osteuropäischen Konstruktivismus aus einer deutschen Privatsammlung, Kunstmuseum Winterthur, 2001, p. 16, ill.- Berswordt-Wallrabe, Kornelia von: Von Kandinsky bis Talin - Konstruktivismus in Europa, Schwerin 2006, p. 31, ill.- Exhib. cat. L'Abstraction en Europe - Le choix d'un collectionneur allemand, Fondation Maeght, Saint-Paul de Vence 2011, cat. rais. no. 67, p. 103, ill.- Exhib. cat. Constructivism in Europa - From Malevich to Kandinsky, National Art Museum of China (NAMOC), Peking 2012, cat. rais. no. 70, p. 99, ill.- Müller, Markus: Die Revolution entlässt ihre Bilder - Von Malewitsch bis Kandinsky, Köln 2014, cat. rais. no. 59, p. 91, ill.- Exhib. cat. Astrattismo in Europa, Kandinsky, Popova, Majakovskij, Malevic..., Forte di Bard, Aosta/Italien 2015, m. pag., ill.


Лот 19


Ljubow Popova
1920/21POPOVA, LJUBOW1889 Iwanowskoje - 1924 MoscowTitle: Raum-Kraft-Konstruktion. Date: 1920/21. Technique: Watercolour and India ink on strong paper. Measurement: 35 x 27.5cm. Frame/Pedestal: Framed. Provenace:- Sammlung Nicole und Istvan Schlégl, Zurich- Galerie Schlégl, Zurich- Collection Dr. Gerhard Cromme Exhibitions:- Stiftung für konstruktive und konkrete Kunst, Zurich 1989 - Aargauer Kunstmuseum, Aarau/Schweiz 1995- Kunstmuseum Winterthur, 2001 - Kunstmuseum Bonn/Staatliches Museum Schwerin, 2006 - Fondation Maeght, Saint-Paul de Vence 2011 - The National Museum of China (NAMOC), Peking 2012 - Kunstmuseum Pablo Picasso, Münster 2013 - Forte di Bard, Aosta/Italien 2015 Literature: - Vachtova, Ludmila/Weinberg-Staber, Margit: Vor den Toren der unbekannten Zukunft - Russische Avantgarde der 10er und 20er Jahre, Werke aus Schweizer Privatbesitz, Zürich 1989, p. 67, ill.- Exhib. cat. Karo-Dame, Konstruktive, Konkrete und Radikale Kunst von Frauen von 1914 bis heute, Aargauer Kunstmuseum, Aarau 1995, p. 63, ill.- Exhib. cat. Verschmelzendes Rosa und Schwarze Spannung - Werke des osteuropäischen Konstruktivismus aus einer deutschen Privatsammlung, Kunstmuseum Winterthur, 2001, p. 17, ill.- Berswordt-Wallrabe, Kornelia von: Von Kandinsky bis Talin - Konstruktivismus in Europa, Schwerin 2006, p. 30, ill.- Exhib. Cat. L'Abstraction en Europe - Le choix d'un collectionneur allemand, Fondation Maeght, Saint-Paul de Vence 2011, car. rais. no. 66, p. 102, ill.- Exhib. cat. Constructivism in Europa - From Malevich to Kandinsky, National Art Museum of China (NAMOC), Peking 2012, cat. rais. no. 70, p. 99, ill.- Müller, Markus: Die Revolution entlässt ihre Bilder - Von Malewitsch bis Kandinsky, Cologne 2014, cat. rais. no. 58, p. 90, ill.- Ausst.-Kat. Astrattismo in Europa, Kandinsky, Popova, Majakovskij, Malevic..., Forte di Bard, Aosta/Italy 2015, m. pag., ill.


Лот 20


Ilya Chashnik
1925/26CHASHNIK, ILYA1902 Ljuzin - 1929 LeningradTitle: Suprematistische Komposition. Date: 1925/26. Technique: Watercolour and pencil on paper. Measurement: 20 x 30cm. Frame/Pedestal: Craftman's frame. Provenance:- Collection Istvan Schlégl, Zurich- Collection Dr. Gerhard Cromme Exhibitions:- Kunstmuseum Winterthur, 2001- Kunstmuseum Bonn/Staatliches Museum Schwerin, 2006 - Fondation Maeght, Saint-Paul de Vence 2011- The National Museum of China (NAMOC), Peking 2012 - Kunstmuseum Pablo Picasso, Münster 2013 Literature: - Exhib. cat. Verschmelzendes Rosa und Schwarze Spannung - Werke des osteuropäischen Konstruktivismus aus einer deutschen Privatsammlung, Kunstmuseum Winterthur, 2001, p. 37, ill.- Berswordt-Wallrabe, Kornelia von: Von Kandinsky bis Talin - Konstruktivismus in Europa, Schwerin 2006, p. 83, ill.- Exhib. cat. L'Abstraction en Europe - Le choix d'un collectionneur allemand, Fondation Maeght, Saint-Paul de Vence 2011, cat. rais. no. 47, p. 83, ill.- Exhib. cat. Constructivism in Europa - From Malevich to Kandinsky, National Art Museum of China (NAMOC), Peking 2012, cat. rais. no. 52, p. 81, ill.- Müller, Markus: Die Revolution entlässt ihre Bilder - Von Malewitsch bis Kandinsky, Cologne 2014, cat. rais. no. 76, p. 111, ill. Размер: 30 × 20 см


Лот 21




Vasyl Yermylov
1922/23YERMYLOV, VASYL1894 Kharkiv/Ukraine - 1968 KharkivTitle: Untitled. Subtitle: Materialbild. Date: 1922/23. Technique: Wood, partly polychromed, set, and metal. Measurement: 40.5 x 30 x 6cm. Frame/Pedestal: Craftman's frame. A photographic expert's report by Jean-Claude Marcadé, Paris, dated 14 June 1988 is available for the work.Provenance: - Galerie Stolz, Berlin- Collection Dr. Gerhard Cromme Exhibition: - Kunstmuseum Winterthur, 2001- Kunstmuseum Bonn/Staatliches Museum Schwerin, 2006 - Fondation Maeght, Saint-Paul de Vence 2011 - The National Museum of China (NAMOC), Peking 2012 - Kunstmuseum Pablo Picasso, Münster 2013 Literature: - Marcadé, Valentine: L'Art Ukraine, Lausanne 1990, colour chart no. XXXVIII- Berswordt-Wallrabe, Kornelia von: Von Kandinsky bis Talin - Konstruktivismus in Europa, Schwerin 2006, p. 71, ill.- Exhib. cat. L'Abstraction en Europe - Le choix d'un collectionneur allemand, Fondation Maeght, Saint-Paul de Vence 2011, cat. rais. no. 35, p. 71, ill.- Exhib. cat. From Construktivism in Europa - From Malevich to Kandinsky, National Art Museum of China (NAMOC), Peking 2012, cat. rais. no. 40, p. 69, ill.- Müller, Markus: Die Revolution entlässt ihre Bilder - Von Malewitsch bis Kandinsky, Cologne 2014, cat. rais. no. 15, p. 68, ill. Размер: 30 × 40.5 см

***

Вот страница этого аукциона, с уже удаленными лотами
https://auction.van-ham.com/browse/search/1/block/Modern_Post_War_Contemporary_289.html
Тем не менее, русские вещи там еще есть

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